Cosplay a Performance Art or porn
Contemporary Art Erotic

Is Cosplay a Performance Art or porn?

Cosplay… Art or porn? I’ll start by saying that everyone owns their life and we can do with our body and our taste whatever we want! But giving our opinions we must respect the others And do not cross the line of respect, and knowing how to express without offending others.

We must also understand that we must not misinterpret the commentary of others so here we need a open mind. Now as a cosplayer, cosmaker and lover of this art, sometimes I feel a little offended when some people want to invent another stuff for cosplay like: fanservis, cosporn and other variants … looking just for other purposes.

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Maybe for pornographic purposes, purposes to search fans, and they sell the art of cosplay as something else. There are very creative variants of coplay like gijinka, beautiful artwork of cosplayer. There is also the steampunk people mix it with anime characters and it look so beautiful eg sailor moon Steampunk! I love that one! Someday I will do it.

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There are also genderbenders because then it will be totally disoriented of cosplay. And then there’s the Furry Cosplay you dress like teddy of any character also if you cannot show your face. But this is so cool for those who dare to do this. Talking with a friend about this topic. He told me the pages of one of the most famous cosplayers that always shows her boobies, a fan asked in a photo that does not show anything.. where are your boobies? This makes me think … there are fans looking at you just for your body and not for your art… your cosplay. Then you stop.. and think …. do you really want fans that follow you for that? Or for your art and your creations? It happened to me once, when I posted my cosplay of Akane a very conservative cosplay a girl.


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I love when people talk to me and write to me, is very cute l! I love it! But it got my attention because she told me did not like it, that she preferred me to be with hottest characters they look better on me. But the cosplay is not always being sexy is being with characters that you like. It is enough if you like the design personality, or cuz you are in a cosplay group anything can be a motivator for cosplay, it does not have to be always sexy to see you nice and expose your art I made sexy cosplays and I do not feel bad for it!

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Example! I did my bodysuit of Princess Serenity, in the final chapter where she appears naked and my presentation was Sailor Moon naked! I had my body suit and left everything to the imagination of the public… But it appears in the anime and I was not being obscene Dizzy is another super sexy and revealing character but I made adaptations without altering the essence of the character Saeko’s character is super sexy and I did sexy without showing more.

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If you see the character artwork is super Hechi but hey! ! I had fun doing! I am a woman, I like women sensuality without having to reach beyond. Not obscene! Nude art! Not so delicate topic, you can do nudes a bit controversial in the fact that not many characters make artistic nudes without being obscene eg Lucy elfen lied in the illustrations is naked and you can do art…

But not going to pick a character like .. Akane tendo and will oppose two pigs here and go like. That is going somewhere else .. The problem is not the girls that in my opinion are selling their bodies and are denigrating and not giving respect as women

And excuse me girls who have done so, do not think I`m judging you, everyone does what they want with their lives.. the real problem become when people follow this as an art and it is not art is something else.

The cosplay is a beauty of art You can be sexy not being obscene, that’s my slogan. Always! I really admire Cosplayers, and they show a lot they make good work as cosmakers.

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God made us as we are and we must be satisfied with our body. But the world of cosplay has caught the attention of many girls girls to get fake boobies only for getting attention, and I go back and tell the same…. cosplay is not for that, the cosplay is to expose art, to play as the character, not for change your body and find more fans. It is my opinion I do not want anyone offended

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I have been getting a lot of tattoo questions lately so right now I’m going to do my tattoo Q and A.

What inspires your art? And that is a good question. I guess what inspires my art is first of all my clients, because they are the ones that are asking for my art.

My mom is an artist she has exhibits with her paintings which are semi digital and painted paintings and she said to me: like I don’t understand how you can do what you do because you have these clients that are kind of asking for this art this design and you have to make it after their demand.

While I can just sit here and do whatever I feel like. And I told her like yes, but that’s how you love to make your art. I’m not that comfortable with that kind of art creating. I’m actually more comfortable with having a client telling me: “I want a flower and maybe a skull and then something’s gonna happen to the skull.” And she kind of just creates an image in my head just by talking and maybe people sometimes they don’t even come up with the visual like arose in the skull or something sometimes they’re like.

Well I’m into this artists and their music and I once I went to a concert and thing I start seeing images of their story and I try to find like images of that. It’s difficult to explain but first of all it’s always the clients that inspire me of for my tattoos. Sometimes I see other tattoo artists and what they do. And I also like to look at tattooed porn stars. When I’m watching tattoo porn on the internet and see hot girls with tattoos. And it gives me kind of a oh my god that booty tattoo looks awesome. I’m gonna try to remember that technique or that color use or that pattern or whatever and maybe try that in one of my designs one day.

So that’s to see what other tattoo artists are making that’s always a big inspiration. The main thing is to never copy, but just be inspired and try new things because if I mean how can we learn how can be how can we ever evolve if we don’t get inspiration from others like yourself.

Tattoo babes galleries – Hot sexy tattoo girlsThat was my questions and answers for this time. If you have more questions for me I would love to hear them.

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Read This Before You Get Inked

Read This Before You Get Inked

The key element is finding your artist. You and your artist should have a relationship, where he does awesome work, and you get awesome work. You should allow your artist as much freedom as possible, because he’s going to know how it’s going to lay out, as a quarter sleeve, or a half sleeve or a full sleeve, because he has a lot of experience doing that.

I’ve found with tattoo clients, even very heavily tattooed clients, that generally speaking, their ideas aren’t very good. It’s like me going to a plumber, and telling him what I think he should do, to make all the pipes work. When really, I just want the pipes to be awesome. When you pay somebody, and that’s their vocation, their livelihood, and what they do, chances are that they’re going to be able to provide you with an incredible set of art, that you would have never even considered. It’s good to give guidelines, though, or ideas. Not like, hey, I want this, with this around it, with these initials in it, because then, that’s exactly what you’re going to get, and it’s going to be crap, but if you’re like well, I really want to represent temptation, or some kind of idea, or some kind of feeling or mood, or tone, or experience.

Then, I would relay that to my artist, and say, Hey, I want to get something that represents the fact that I just had a child. Now, that doesn’t mean you need to get a picture of the baby, all busted, with funny hair, and no teeth and stuff. There’s a million ways to represent parenting, and reproduction, and love, and eternal bliss, and like all this crap, responsibility. Like, if you just think about the concept, and give your artist those, then he can take those, and create something incredible with it.

Things to Know Before Getting a Tattoo

Things to Know Before Getting a Tattoo

Getting tattooed is done for a variety of reasons and it’s always a long crazy story. I think L.A. Ink and those shows screwed it up for us because now clients want to go on and on about this whole story. The truth is tattoos mean whatever you want them to mean. Every single tattoo that’s on my body which is the majority of my body reminds me of exactly of where I was, who I was living with, who did it, what was happening at my; at that time in my life. So there’s really no reason to like do a big elaborate piece and then put a million little initials in it.

Even though people still ask for that all the time. What you’ll find is after you wear it for a good ten years or so you’ll still remember every detail about what was happening and it’s like time’s encapsulated in that tattoo. So really a lot of people try to choose designs that are very important to them or very sacred to them and a lot of people just try and get a cool tattoo. The truth is there are as many reasons to get a tattoo as there are tattoos and which ever one works for you is what you should do.

A lot of people draw up their own stuff and bring it in and while that is valid and we do that all the time. Just because somebody can create art on paper is really totally unrelated to being able to create it on skin. Simple replications of client’s art is very simple however it’s limiting. And especially if you are going to wear this for the rest of your life. The last thing you want to do is limit your artist. You want your art to be limitless, you want your art to break boundaries and blow minds. My favorite question is when people ask my clients is that a real tattoo. Cause the theory there is that it shouldn’t even look like a tattoo. It should look like a piece of art on the skin.

Really the best thing to do is to find an artist that you respect, an artist that, that’s really good. And an artist that has a vast, diverse portfolio with a lot of different styles that you are in to. And then lay it on them, let them you know tear it up. A good tattooer is going to take your idea enhance it, compound it and make it into something far superior to anything as a new client you are going to be able to visualize. There is so many factors that go into a tattoo that clients can’t comprehend that it’s good to find an artist you trust and put your trust in their hands.

Siah Armajani’s Bridge Over Tree
Public Art

Siah Armajani’s Bridge Over Tree, Public Art

Nicholas Baum: Siah Armajani is an artist who was born in Iran, came to the U.S. to study philosophy, and became an artist with a great affinity for language, for ideas. Follow This Line is a major retrospective of Siah’s work at The Met Breuer, and it’s a spectacular show that charts his career. He’s taken these very ubiquitous, everyday forms, like a bridge, like a house, and used those as a kind of artistic language that allows us to think differently about what they mean.

When I learned that the Walker Art Center and The Metropolitan Museum of Art were collaborating on a retrospective, I immediately thought that it would be wonderful to take the opportunity to realize one of his public pieces because public art is so central to his entire career. Siah’s work is based on the principle that art should be open and accessible to a general audience. But it also in doing so allows the artist himself to be a citizen, to participate in our democracy.

Cornelia Parker’s PsychoHouse
Contemporary Art

Cornelia Parker’s PsychoHouse, Contemporary Art

Well, when I was offered to make something for this great spot on the roof, I was very daunted because the skyline is so amazing. So I thought I wanted to put something architectural on the roof, kind of incongruous– you know, a domestic house.

Originally it was going to be a red barn, but then I realized quite quickly that red barns are far too big to go on the roof. And then I was looking at Hopper, Edward Hopper paintings, and he painted a house called the “House by the Railroad,” and reading about it, I realized that Hitchcock had based his “Psycho”house on this painting, and I really loved that. Hopper also painted lots of red barns, and so my red barn came back into play again, and I thought, “Well, why don’t I make the house out of the red barn?”

I collaborated with a restoration company who go around America and they take down old barns, and so the roof of this house is made from the corrugated metal from the barn roof, the siding is made, obviously, from the siding of the barn. So this is the barn reconfigured. So I quite like to take the idea of the barn being this quite wholesome thing, this, you know, lovely thing about the landscape and the countryside and politicians like standing in front of red barns because it typifies wholesomeness. And then the “Psycho” house is the opposite, it just All the dark psychological stuff you don’t really want to look at.

I was very inspired to find the original set from “Psycho” was only two flats all propped up from behind, like a stage set would be, and it was filmed from a particular angle, so you only saw the house side-on. I’ve built the house in the same angle, I’ve tipped it into the corner. And then if you go around the back, and you see it’s all propped up, and you realize it’s a facade. But I wanted it to be believable from this angle. So that the roof garden becomes the garden of this house. So I like the idea of the privet hedge around The Met roof, and then hunkering in the corner is this, this sinister house.

So I like the idea that you take things that perhaps seem cliched, but they’re cliched for a reason. They resonate with a huge amount of people, and that’s why they’re the most visited spots. And I somehow think the inverse of the cliche is the most unknown place.

HMS Caroline a floating museum

HMS Caroline, a floating museum with a fascinating story

HMS Caroline is the sole survivor from the Battle of Jutland, which was the largest ever naval battle fought in history. It is, as I said, it’s a world-class visitor centre. When visitors step onboard, they really get a chance to experience life at sea, and what that was like for the sailors over 100 years ago. There’s pretty much something for everyone. If you’re really interested in the war and ships, there’s a lot of information that you can glean from that.

It’s not very often that you come to a museum and you’re actually about to step onboard and climb inside the main artefact. Having a ship like Caroline in Belfast allows us to tell a much broader story about our maritime past and our heritage and our culture here. There’s so many stories that we can tell through the interpretation on board and through the experiences. To see it transformed from what it was to what it is now is a massive achievement for everyone involved in the equation.

ParaPivot Alicja Kwade
Contemporary Art

ParaPivot by Alicja Kwade – Contemporary Art Installation

It’s very symbolic to put something on the “hat”, let’s say, atop of all we have achieved in the last thousands and thousands of years. My work actually is about structures. And time is one structure. It’s very basic forms, you have squares and spheres. And the frames stand for human made systems, we build buildings for the development of our reality but also for the development of our society. And I tried to get stones from all over the world—from India, Finland, Italy, China, and I try somehow to meld our planet earth back together. So it’s like looking at yourself from a very strange perspective. They look like planets because they are stones and they are millions and millions of years old, so it is like compressed time. It’s a lot about time and space so I try somehow to look at those both systems and how they interact.

In my studio, you know, we did like a 3-D animation to see how it would appear and interact with the skyline. I was not getting that far to calculate the position of the moon, but of course I was hoping those moments when the two other spheres which are you know guiding us all the day and all the year would appear from time to time. What I’m fascinated about is basic human questions as what reality is, why we are here, and the limitation of our senses which are not allowing us to ever really answer those questions.